The medicine of posture

Baguazhang is a curious beast. Grounded in the philosophy of the Yi Jing, the eight trigrams and sixty-four hexagrams, it lays claim – at least in some schools of thought – to a profound relationship with the channels and flow of Qi within the body.

And yet, for all its surface appearance as something ancient and tribal – a primitive shamanic circle dance – it is actually a modern phenomenon. Can it really be so meaningful, then? Can it really be so profound? Or are its ties with the oldest book in the world, that classic Book of Changes, of divining the great flow of all things, just a pretext, a ruse?

Dong Haichuan is credited with devising Baguazhang in the early nineteenth century, although of course there are the obligatory legends about it having much earlier roots. The Yi Jing has been around since the start of the first millennium BCE, by some accounts. There are Daoist circle-walking meditation practices, and (more distantly) whirling dervishes, ecstatic dances… wheeling birds and spinning hurricanes…

Taijiquan, with slightly earlier origins (which hazily wobble around the seventeenth century) also heavily correlates certain postures with opening particular lines of energetic release within the body. Single Whip and Roll Back relate to the Heart; White Snake Creeps Down through the Lungs…

But let’s go much further back. In 1973 in Hunan Province a silk painting was found in a tomb dating 168 BCE: the Dao Yin Tu. Dao Yin is a more active precursor to modern Qi Gong – more about release and enlivenment than about nourishing and calming, although probably that too. Essentially, it depicts 44 figures in various postures – Daoist asanas.

And who knows about Yoga? At least another 500 years before the Dao Yin Tu. But it seems likely, I would surmise, that we have been experimenting with posture for millennia; since beginningless time, in fact. From being babies we play with posture, naturally. We experiment. We explore our bodies and their relationship to the world. I suspect humanity has been exploring the significance of posture since its infancy.

Hunched in our tilting, rotating office chairs, and slumped in our sofas, in our own modern era we have lost some connection with the significance of posture. But we can’t escape it. When we grieve we round our shoulders and close and protect our hearts. When we feel connection to others we open up our hearts, we open wide and embrace. Soldiers stand to attention, chests thrust forward. When we are fearful or threatened we curl up, present our bony backs, hug our vulnerable bellies. These things are instinctive. But we can utilise them if we understand them.

In meditation practices – Hindu, Daoist, Buddhist, and no doubt others – there is much emphasis placed on hand position. Certain mudras express certain qualities of mind. If we place our hands near our abdomen we draw downwards and stabilise. If we turn our palms face up on our knees we are open, receiving. Place the palms together, we connect and balance, find harmonious union. And things get complex – a contortionist science in its own right. Although many modern minds ridicule it, of course. But I’m not so sure…

A little exercise might be instructive. Stand with your arms in an embracing posture. Stand there for a good while. Try to relax into it and be still. Let your mind settle into the posture. Listen to what your body feels. Then ask yourself, what is my quality? What has changed? Now turn the palms out. How does that feel? Raise the palms up, overhead. Press them downward. Out to the side. Palms forward; palms back, resting in each one for a while. Each posture has a different quality. It’s subtle, but it’s there, and with a bit of guidance – suggestion if you like – it can be much more profound.

The first of the Eight Silk Brocades (Ba Duan Jin) lifts the sky to harmonise the Triple Heater (San Jiao) and stabilise the Pericardium, or Heart Protector. As the hands rise up and the lungs inhale there is an internal movement that follows, spreading through the cavities of the body and helping its disparate parts to communicate, to become one whole, integral entity. As the hands circle down we exhale and wring out anxiety and defensiveness, and we find stability and external connection. With this in mind, the practice becomes even more powerful. We express ourselves through out bodies, through their movements.

Mind, breath, body, emotion, energy. All moving together. One session might not make much difference. But a daily practice over years…? It takes time for the body to open, for stuck emotions to release, for energy to move. I wonder – maybe the claims that Bagua circle walking postures relate so closely to our internal workings are not so fanciful after all?

In his book, Bagua Circle Walking Nei Gong (Outskirts Press, 2012), acupuncturist and Baguazhang practitioner Tom Bisio draws a very direct parallel between certain postures and their effects. Upholding the Heavens opens the Stomach channel and benefits digestion, for example. At first I thought this was a bit of a leap of faith, to say this palm cures this, and this palm cures that. Postures aren’t medicine… are they?

A skilled acupuncturist can run their fingers along a channel and feel the blockage. Their diagnosis is guided by palpation as much as by interrogation, observation, and intuition. The gutter is blocked, so we’ll clear out the mulch that’s gathered here, and water will flow again. Energy will flow. In Nei Gong we stretch open the palm and physically open Lao Gong. It’s not so vague and ‘spiritual’ as some people might assume. At least not in the beginning. We work with something we know, or should know – our bodies.

And so, by walking the circle with arms raised in Spear Holding posture, we connect with the Kidney and Heart channels, with rising Fire. By Downward Pressing the palms we stretch Du Mai and Ren Mai. We sink to Earth; to ultimate Yin. And so on, each mother palm carefully constructed to work with a particular energy, with a particular organ meridian in the body. A sophisticated and complete system.

Is this medicine? In a sense, yes, it is. Particularly when you consider preventative medicine. Try walking hunched for a year and see how you feel. Feel how you contract, stagnate – physically, emotionally. By lengthening and aligning with gravity, finding ease in body and mind, walking with precision and gracefulness, moving with fluidity and power, we promote vitality, flow, organ function, internal connectivity. When these qualities manifest it’s hard for illness to get a foothold. It is simply washed away.

By walking the circle we create the correct conditions in the body for healing. We lengthen the tendons, relax the tissues, work the spine, open the relevant sinew channels in the body, suggest something to the mind, and walk. Trancelike, we walk. Alert, aware – but mesmerised, absorbed – we walk.

For millennia mankind has known the power of posture. Perhaps in some dark cave of prehistory primitive man was walking the circle, arms outstretched. Shadows dancing, drums beating. Or in silence, bar his beating heart and his rhythmic, echoing steps. Walking, walking – absorbed into his inner being. A walk of health, of life, of vitality. Perhaps not so primitive

Learn to sit

What follows is an easy, step-by-step meditation for beginners. But first…

What is meditation?

A decent definition might be something like, ‘a state of absorption we arrive at through stilling the mind, stilling the body, being present, and letting things be’. This could probably be improved, but it’s a start.

As a practice, meditation is hugely beneficial for our physical and emotional health. It allows us to rest the mind and restore the body to its optimal state of functioning. At its most profound, meditation allows us to lift the veil of perception and directly experience our own true nature.

Different cultures have developed various methods of meditation throughout history. In the developed West, we tend to associate it with East Asia, partly because of Gong Fu movies and famous Zen Buddhist teachers such as Shunryu Suzuki and Seung Sahn, and partly because meditation has all but died out as a practice in Western spiritual traditions. But before it was sanitised into a largely doctrinal and ritualistic religion, early Christianity was itself a rich, contemplative tradition.

However, this aspect of Christianity has virtually vanished over the centuries, sadly leaving us with only empty rites, regurgitated dogma, an emphasis on scripture rather than personal insight and realisation, and consequently swathes of people for whom the Church is only there to facilitate baptisms, weddings, and funerals.

In its place, we see the rising trend of aggressive atheistic secularity, which provides us little to no internal nourishment and much external confusion; and also the growth of decidely contrived, hybrid ‘mindfulness’ practices, where people are quite often taught that meditation is effectively about distracting the senses with relaxing music, and imagining themselves to be in some idyllic ‘happy place’.

But that’s not meditation; that’s just fantasy.

In other religions around the world, there are many more intelligent, tried and tested methods for meditating. Vipassana and Yoga yoke the mind to the breath. Tantric meditation uses intricate visualisation, and a mental exchange of the self with the Buddha. There are repeated mantras and prayers to quell and hypnotise the mind; prolonged, single-pointed concentration upon an object of worship; deep contemplation of themes such as gratitude, acceptance, impermanence, compassion, interdependence, or the location and nature of the self. There are standing meditations, walking meditations, even sleeping meditations…

So there are lots of ways to meditate, and different methods will appeal to different people. For me, Daoist meditation has proved to be the most effective. Again, it takes many different forms, and there are various precise, prescribed methods for developing certain qualities, but I would like to describe here a simple and accessible way to enter meditation through a deep awareness of the body.

Please be advised, I am not an expert by any means, nor am I an ‘inner door’ student of the tradition. I’ve just found that my own practice has helped me a lot, so I would like to share some of it here. I don’t intend to share any exact methods; that is not my place. I’ve simply converted some basic techniques into an easily memorised routine that anybody can try.

If your interest is piqued, it’s worth doing some research into Quanzhen (Complete Perfection) Daoism, the Longmen (Dragon Gate) lineage, and the writings of Master Wang Liping. Some excellent Western writers on (and experienced practitioners and teachers of) Daoist meditation include Nathan Brine, Damo Mitchell, and Robert James Coons, all of whom have far greater expertise and knowledge than I. Look them up.

If you’re really enthused, find yourself a teacher from whom you can learn the methods directly. But if this post spurs you on to explore just a little deeper into the world of Daoist meditation, then I shall count that as a success.

So to it. The meditation I describe below is easy to learn, as it uses the body as its object, and follows a logical path as we gently guide our awareness around and through the body.

In terms of the meridians of Chinese Medicine, it follows a reversed pathway through the Du Mai (over the head and down the spine), Ren Mai (up the front of the body), and Chong Mai (back down through the centre of the body), so I have split it up into three sections of active, or ‘governing’, methods, which roughly trace these channels, followed by a period of silent sitting, or ‘non-governing’, and finally a closing ritual to return to normal consciousness.

The real meditation really lies in the ‘non-governing’ phase, which should really be at least as long as the ‘governing phase’, and preferably longer. This ‘non-doing’ segment is where all the beneficial consequences of the ‘doing’ part get assimilated into our being.

I’ve endeavoured to keep these instructions free of jargon. You don’t need any understanding of the channel system to follow along.

Just approach the practice with an open mind and heart.

MEDITATION

Find somewhere quiet where you are unlikely to be disturbed, without demanding or expecting silence. Notice your environment; sounds, sensations, smells, temperature. Accept them without judgement, without any notion of whether they are good or bad, with neither desire, aversion, nor indifference. Resolve to ignore distracting thoughts, impulses, itches, and small discomforts. Avoid practising on a full stomach, and make a firm intention to give your full attention to the meditation process.

If it’s possible and comfortable, sit with your hips slightly elevated on a cushion, one foot tucked behind the other, so that you have three points of contact with the floor – your sit bones, and each lower leg. This way you will feel grounded and stable.

GOVERNING PHASE

Du Mai – the Governing Vessel

Begin by relaxing your jaw and connecting the tip of your tongue to your upper palate, just behind your incisors. Allow a slight smile to provoke within yourself a sense of inner peace and contentment.

Place your attention on the sensation of the breath as it enters and exits your nostrils. Here is your bridge to the external world, your bridge to life. Your breathing is ever-present and automatic, but can also be brought under conscious control. Do not adjust your breathing and simply be aware of it.

Notice any perceived shallowness or irregularity, but withold judgement. Notice the difference in temperature between inhalation and exhalation. Notice the qualities of your breathing – its rhythm, smoothness, depth, and sound. Notice the pause between the end of an out-breath and the next in-breath. Notice how your breathing changes over time.

Now fill your lungs to capacity, allowing your belly, chest and shoulders to rise, and your back to expand, and sigh audibly as you breathe out slowly.

Gently close your eyes and look to a distant horizon. Look as far as you can see, and allow your gaze to soften its focus. Gradually bring your gaze to a point between your eyebrows. Relax your brow and move your awareness to within your body. Forget the outside world.

Have an intention to relax the thin sheets of muscle across your scalp. Find a point at the apex of your skull on a line between the tips of your ears. Rotate forwards around your temples to slightly tuck your chin and gently draw this crown-point upwards, lengthening the back of your neck without introducing tension.

Allow this movement to gently lengthen the spine. Maintain its natural, supple curve, but feel spaces opening between your vertebrae. Relax the muscles of your back, and rely on the upright, stacked structure of your spine to effortlessly maintain your posture.

Imagine your bones floating upwards, and all your muscles melting away, hanging from the bones like clothes from hangers. Allow your flesh to release its grip on your bones. Let go of any muscular tension you do not need.

Roll your shoulders back and down, and let them settle in a neutral position. Feel their weight and allow them to slope away from your ears, accepting the push of gravity.

Relax your elbows, wrists and fingers, and feel the bones of your hands spreading open. Through your palms you maintain your connection with reality, and with others.

Ren Mai – the Directing Vessel

Feel the weight of your whole body sinking down through the tripod of your sit bones and lower legs. Trust the ground and notice how effortlessly it supports your mass.

Get a sense of spaciousness in your abdomen, as your upright posture stretches your waist between ribs and pelvis.

Observe your ribs expanding and relaxing with each breath. Has your breathing changed? Is it slower, deeper, quieter, more easeful?

Keep your chest in a neutral position, neither hollow nor thrust outward. Feel the softness and vulnerability of your neck.

Return your attention to your tongue against your upper palate. Is your jaw still relaxed? Are you still smiling slightly? Are your eyes and brow still soft?

Chong Mai – the Penetrating Vessel

Direct your awareness more deeply towards the interior of your body. See if you can feel the mass of your eyes, brain, and skull. Inquire. Don’t imagine. Really take the time to feel it.

Move your attention downwards from your head into your torso, searching for areas of mass and solidity, and areas that are hollow and spacious.

Can you feel the weight of your liver and spleen? Can you feel and hear your heartbeat? Allow your attention to rest here for a while, with an attitude of patience and kindness.

Feel your breath. Feel your circulation. Feel the subtle movements within your body. Even within stillness, there is movement.

Feel the motion of your lungs expanding and flexing your diaphragm, causing your abdomen to rise and fall. Feel the even circularity of your breathing. As you exhale, allow all your soft tissues to relax and sink downwards away from your skeleton.

Be aware of your kidneys sitting behind your bottom ribs. Feel their weight. Feel their warmth. Feel your own inner vitality.

Gently contract your perineum, and allow your awareness to float up into your lower abdomen. Imagine a line connecting your lumbar spine to a point two fingers’ breadth below your navel. Draw another mental line from your perineum up to this horizontal. Where the lines meet, rest your attention lightly upon this point.

Here is your centre.

Now be aware of your entire body, of the space you occupy. Locate your extremities – the outermost layer of your skin, the very tips of your hairs. Can you feel the air around you? How far beyond yourself can you feel?

Listen to your whole body. Listen to your head. Listen to your heart. Listen to your abdomen. Again, find your centre. Let your breath settle here. Let your mind settle here. Absorb into your centre.

As you inhale, feel everything contracting inwards, like a slow implosion from your skin to this central point. As you exhale, allow everything to expand and relax.

Stay for a while with this sense of squeezing and releasing the whole body.

Gradually reduce it to a gentle contraction and expansion in the lower abdomen.

Let it become increasingly subtle, until it is a squeeze and release of the central point.

Let the breath become increasingly subtle. Here, at this physical centre, your breath and awareness combine. Body and mind move together in easeful harmony.

NON-GOVERNING PHASE

Listen, beneath the breath, behind the heartbeat. Any sensations that arrive, simply notice and accept them with disinterest. Any thoughts that come, just observe them steadily until they subside of their own accord. Don’t get involved. It’s just your brain doing its thing. Focus on your breath. Focus on your centre.

If your attention scatters or wanders, gently bring it back. Allow it to sink back down through the body, like sediment settling in a pool of cloudy water. Let it sink down slowly to your centre so the water becomes clear and still.

Cultivate a sense of calm and timelessness. Enjoy a feeling of profound rest and stillness. Allow yourself to abide here. Let go of any control of your breathing. Forget your body. Forget your mind. Sit silently.

Sit silently.

For as long as you wish, remain in stillness. In silence.

CLOSE

When you want to finish your session, scan once again through your body, relax and adjust your posture. Feel everything sinking down through the sit bones, and regulate your breathing to a slow, even rhythm.

As you inhale, squeeze and contract your whole body. As you exhale, relax and release your whole body.

Repeat this several times, before slowly expanding your awareness and returning to a natural breathing pattern. Has this changed since the start of the session?

Feel the breath at your nostrils. Begin to reconnect with the outside world. Notice any interior feeling of peace, stillness, spaciousness, harmony, equanimity. Allow yourself to enjoy that feeling. Do not rush.

Begin to foster an intention to move. If it serves you, place your hands palms together at your chest, keeping a little space under your arms, and bow your head in a gesture of gratitude.

Rub your palms together and place your hands over your eyes. Feel the warmth of your hands. Swallow, rub your brows and face, and slowly open your eyes. Observe any changes in your environment.

As you inhale, move your arms outward and upwards in a circular movement, folding in at the elbows before the shoulders can raise. As you exhale, bring the hands down the centreline of your body. Repeat these circles as many times as you like to close your meditation.

To finish, massage, stretch, mobilise your joints, and gently shake your body. As you stretch, be mindful of the connective tissues pulling and lengthening like spiderwebs. As you twist your waist and turn your neck, imagine you are wringing out a damp towel.

If your legs are numb, wait for blood flow and sensation to return before rising slowly and carefully from your seat.

*

Whilst going about the rest of your day, try to reserve some space in your being to preserve this sense of inner peace. If things happen to activate your sympathetic nervous response, take some time out afterwards to breathe, let go, and move towards this familiar state of internal relaxation.

Try to establish a daily routine of meditation practice. Give it some priority, but don’t make it a chore. Don’t add it to your To Do list. In fact, you should tear that up.

Don’t expect miracles. Don’t look for ‘experiences’. Don’t seek out visions or revelations.

Enjoy your meditation. It is a rare opportunity in your day to fully unwind, rest the mind and body, nourish yourself, and find your centre. Meditation can heal you. It can clean you from the inside.

You might not notice much from day to day, but when you look back after a month or two of consistent practice, you will see a difference in yourself. Less reactive. Less hurried. More open. More generous. More in tune with your own being. More in tune with others.

Each day, your experience will be different. Your practice won’t grow in a straight line, and progress will be slow, like a tree growing from a tiny acorn. But trees grow big. Really big.

Don’t aim for anything in particular. Don’t set goals or time limits. Don’t try too hard, or feel guilty if you forget. Don’t seek to ‘get something out of it’.

Just sit.

You won’t regret it.

The Mysterious Middle

The Lower Dantian. The Field of the Golden Elixir. The mystic central pivot of the human body. Mysterious, elusive, undefinable…

Or is it?

Since I first started practising Chinese martial arts and meditation, the concept of the Dantian has been ubiquitous. And the explanations I’ve heard regarding its nature have ranged from resolutely practical, to dismissive, to utterly bonkers.

I think first there is an important distinction to make. The Dantian referred to in martial arts is not exactly the same as that in Daoist meditation practices.

In martial arts it is the entire region of the torso, incorporating the lower abdomen, lower back and hips. In alchemical meditation practices it is a specific area deep within the lower abdomen located between Qi Hai (Ren 6 – Sea of Qi) and Ming Men (Du 4 – Gate of Life), directly above the perineum, where energy can be gathered and worked with in preparation for opening the channels.

The “alchemical” process is normally described as refining Jing into Qi, and subsequently Shen, but I’m going to try to avoid Chinese terms as it’s their misapprehension that tends to lead to the dismissive or preposterous positions I referred to above.

That said, there are similarities between the martial Dantian and that referred to in Neidan (alchemy).

In meditation, the Dantian is a focal point for the attention and the breath, serving to help quieten a person’s emotions and inner narrative.

As the breath becomes increasingly tranquil and deep, the mind sinks with it and the body can begin to conserve and build its energy. This process occurs within the lower abdominal space behind and beneath the navel.

As the body reaches a state of efficient, natural functioning, undisturbed by the mind, it releases nervous and muscular tensions, corrects habitual misalignments, and invigorates the organs.

Undistracted by external stimuli or internal stressors, the production and transportation of substances like blood, lymph, marrow, hormones and enzymes becomes optimised. Stagnancy is slowly eradicated and the body mobilises internally, unobstructed by emotional and physical blockages (which are not separated in Chinese Medicine as they are in the Western model).

There are many specific exercises that lead the body through this process, but with diligent long-term practice the body and mind can both settle and stabilise at a steady, open awareness and easeful, healthy flow.

The Lower Dantian is central to this “alchemical” change. As the process continues to advanced levels, which I certainly do not have authority to write about, the Middle Dantian (at the heart space) and Upper Dantian (at the forehead behind Yin Tang, which some theories have associated with the pineal gland) become more important as Qi is further refined to Shen, usually translated as Spirit and encompassing the insubstantial realm of consciousness.

In martial arts, the breath is also sunk to the region of the Lower Dantian. A degree of tension is maintained in the abdominal wall on inhalation, as with the reverse abdominal breathing technique of Neidan, and dissimilar to the calming abdominal breathing method of Buddhist meditation, where the belly is allowed to inflate with the in-breath.

Reverse abdominal breathing is not unhealthy or unnatural, as I’ve heard claimed. It simply allows the back and upper abdomen to inflate rather than the lower abdomen. Reverse breathing is still a deep and soothing breath, and with practice can feel quite natural and easy. It “pressurises” the body on the inhalation, with a feeling of squeezing into the centre.

It also encourages a total relaxation on the exhalation, allowing everything to further sink and let go (whereas “Buddhist” breathing can introduce some tension into the abdomen on the out-breath if overextended). Done properly, reverse breathing is a soothing and stabilising practice that helps to locate the energetic Dantian.

Why is the breath so emphasised? Because it’s the gateway between our bodies and the rest of the world, where our conventionally perceived boundaries between external and internal become blurred and fuzzy.

It also marks a boundary between surrender and control; we can’t help but breathe, but we can influence the breath, and the quality of our breath can in turn influence our body and mind. It can help activate the parasympathetic nervous system, eliminate airborne toxins, and aid in purging our “inner toxins” of excess stress, dysfunctional feelings, and retained and repressed emotional trauma.

I’m not saying we can literally breathe out our wounds and scars, but we can create the right conditions in the body and mind to encourage such a release.

Let’s turn our attention to our attention. As in meditation, in Chinese martial arts the attention is gently placed in the Dantian (and in similar arts such as Aikido, where it is given the Japanese term, Hara).

Why place the attention here? Shouldn’t you be alert to external threats? Looking outward?

It’s because, from here, at the centre of the body, the mind can move in all directions. There is an equality of awareness, and a heightening of peripheral awareness. You are not unaware of the external; you are finding a global awareness that encompasses everything rather than making distinctions between front and back, inside and out. If at least part of the mind is always at the centre, it can respond more quickly, as it doesn’t need to be pulled from total engagement with another stimulus.

Here, at the centre, the mind can be quiet, and listen. Placing the attention at the Dantian has a calming effect on the mind, nerves, and emotions, allowing for smoother and quicker reactions as the awareness has no distractions or preoccupations, being totally present with, comprehending of, and intuitively responsive to a situation. (See the discussion of Yi in my previous post, “Internal Circles”).

It helps ensure an appropriate response, too, as the practitioner is less likely to be overcome by fear, anger or an unhealthy desire to dominate another person.

Sinking the mind to the Dantian also allows for a finer sensitivity to the inner connectedness, flow and tension within the body. These are crucial qualities to be nurtured in the internal martial arts, without which much of their power, depth and intrinsic beauty are lost.

Finally, and perhaps most obviously, the Lower Dantian is emphasised in martial arts because it is literally the centre of the body. Here we find our centre of balance, and, when the pelvis is sufficiently dropped from the thorax, our centre of mass.

Being mindful of the Dantian helps us to move in a balanced and coordinated way. When we organise the body around this central fulcrum, our movements are more powerful and united. No part of the body is left out, detached from, overextended or exposed (and therefore vulnerable), as everything is contained and always returning to its centre.

When a strike is generated from the body’s centre, it is not only more biomechanically forceful, but it also allows us to return immediately to a relaxed, sunk and rooted posture that can’t be easily manipulated or overcome. It also allows us to move smoothly in all directions equally, physically as well as mentally.

Our rootedness is created by the physical relaxation of the soft tissues around the bones, as we release tension from the mind and muscles, and allow gravity to connect us strongly to the earth.

It’s interesting that when we carry stress and tension, we tend to hold it in our upper back and neck, it causes our shoulders to raise, and it gives us headaches. It rises within us and disconnects us from the earth we stand on.

When we relax the body and, while maintaining a sound skeletal posture that’s also aligned with gravity, allow everything to drop away from the head at Bai Hui (Du 20 – Hundred Meetings), the shoulders and the sacrum can be released, and the habitual anterior pelvic tilt that office jobs have inflicted on so many people, can melt away. This is what gives the characteristic “sitting” posture of Chinese martial arts. The pelvis isn’t deliberately posteriorly rotated – it’s simply released to its natural, healthy position.

This relaxed positioning of the Dantian area allows us to move from our centre with fluidity and efficiency, and allows for more effective transference of power from the legs to the upper body.

I love the Chinese way of explaining concepts such as the Dantian. Their talent for precise but poetic metaphor is one of the things that draws me to their whole culture.

But sometimes things get lost in translation, such that Westerners either decide not to engage with it at all, because they don’t understand it; or they start imagining all kinds of fanciful things that are simply not present in their somatic experience.

And, to me, it’s our somatic experience that facilitates our accurate comprehension of reality. Our imaginations are powerful, and wonderful, but they shouldn’t override and distort our basic perception of reality.

By allowing our awareness to sink and settle at the Lower Dantian, we find a place of equilibrium, rootedness, peace, relaxation, sensitivity, calm understanding, connectedness, and holistic health.

The Dantian is not mysterious, elusive or undefinable; it’s simply the centre of our being, of our unified experience of body, breath and mind.

Internal circles

Of all the Chinese internal martial arts, it’s Baguazhang that relates most closely to Chinese Medicine. But how and why does a (relatively) modern martial art find itself so entwined with Chinese Medicine and Daoist philosophy?

There are a number of parallels that I’m going to explore, but first, it might be helpful to think about just what an internal martial art is.

There are a few, including Water Boxing and White Ape, but the most well-known are Taijiquan, Xingyiquan and Baguazhang. Xingyi is trained mostly as a pure martial art; Taijiquan, while practised by a small number of people as a combat art, is mostly associated with health and well-being these days – which is a shame because there’s been an unfortunate resultant dilution there and much has been lost. There are still some good teachers around who understand Tai Chi fully, but sadly they’re few and far between.

Baguazhang lies somewhere in between Xingyi and Tai Chi. The Hou Tien linear forms explicitly codify its combat applications, but these are relatively more hidden in the Xian Tien circular forms. Circle walking has a meditative aspect to it that’s comparable to the slow forms of Tai Chi, except that it’s generally practised at a faster pace.

Theories abound about the roots of Baguazhang. The accepted legend is that Dong Hai Chuan learnt it from a Daoist sage, thus insinuating that it has a firm grounding in Daoist theory and lending it an air of ancient tradition.

But it’s actually very recent, relatively speaking – the youngest of the three main internal arts. Dong Hai Chuan lived in the nineteenth century. But people like to think things have deeper roots, and so you’ll find theories relating Bagua to Chinese ritual plays, Hindu shamanic dances, eight-armed Tibetan incarnations of Tara, and even the Egyptian creation myth.

There is something very ritualistic about circle walking, though. Something about walking round in a circle speaks of tribalism and trance.

So what is internal? Commonalities to the internal arts include a certain way of aligning and connecting the body, releasing power through the connective tissues, and keeping the bones stacked up in line with gravity. There is a sense of containment, and a body method that develops lines of communication so no part of the body is ever disconnected or overcommitted.

Internal arts emphasise smooth, soft movements and relaxation, coordinating the whole body to generate maximum and efficient power, never using more energy than necessary. Like many other martial arts they rely on exploiting an opponent’s weaknesses and using their own force against them, or neutralising attacks, but there is a preference for suppleness and litheness over strength and brute force-against-force.

This characteristic of softness and flexibility is reminiscent of the Dao De Jing, where it speaks of being rigid and brittle as the way of death, and being soft and supple as the way of life.

Of course, there are huge distinctions separating the internal arts, too. Xingyi is very direct and hard by comparison. The movements are relaxed still, but like Wing Chun there is a whiplike quality makes the strikes very powerful. It has a philosophy of hit fast and hit hard, and doesn’t worry too much about defence or what the opponent is doing. There’s a relentlessness to it; an indefatigable quality of “push through no matter what”.

Where Xingyi is hard and straight, Taijiquan is rounded and giving. Many techniques rely on accepting force and returning it, of absorbing and rebounding. There is an inflated quality to the body, organised around the Lower Dan Tian region of the lower abdomen. Stepping is grounded, as the heels root first, and there’s a strong emphasis on close quarter grappling as exemplified by push hands practice.

And Baguazhang? Bagua uses fluid, fast movement, twisting the upper body like rope and using spiralling attacks and light, circling steps that are designed to find angles and ways in through an opponent’s defences. The sure but agile “mud-wading” steps grasp the floor and the quick, unexpected changes of direction allow the practitioner to attack the flanks and take or destabilise the opponent’s centre.

Bagua’s techniques are varied and comprehensive: chokes and joint locks, throws and leg sweeps, a few kicks and stomps, and, particularly in Gao style, which steals a little from Xingyi, fist strikes, too.

But there’s a whole lot more to Bagua. It has strong links to Qi Gong, especially to Dao Yin, which are forceful exercises to lead and guide the Qi. As I’ve already alluded to, there are meditative elements to circle walking that encourage a non-discriminatory multi-directional awareness, and a calm, quiet clarity of mind that facilitates a clear perception of the situation.

Bagua has its own set of fundamental exercises (Ji Ben) and exercises for building the movement patterns and physical coordination (Nei Gong), and it can easily be incorporated into life nourishing (Yang Sheng) practices that seek to prevent illness (just as Chinese Medicine does) through good diet and eating habits, sleeping patterns, sufficient rest and exercise, and methods to regulate the mind and emotions.

Circle walking itself mirrors the ever-changing flow between Yin and Yang, seeking to balance Yin and Yang within the body through smooth palm changes, fluid turning and twisting movements, and combinations of hard and soft techniques.

Its eight mother palms, or frames, of Xian Tien (circle walking) practice correspond to the eight trigrams (the Ba Gua) of the Yi Jing (I Ching), which is the most ancient of the Chinese classics. The Hou Tien (linear forms) number 64 and relate to the 64 hexagrams (that are derived from combining two trigrams), which are used for divination.

The trigrams are fundamental to Daoist philosophy and so play an important role in both Baguazhang and Chinese Medicine. On the macrocosmic scale their three lines represent Earth, Humans and Heaven respectively.

Within the human body they represent Jing (essence), Qi and Shen (spirit), growing more refined as we move from Earth to Heaven. Made up of solid Yang lines and broken Yin lines, they combine to explain the one overarching constant of life: the process of change.

The eight trigrams can be arranged in two ways: the Pre-Heaven (Xian Tien) and Post-Heaven (Hou Tien) arrangements. In medicine, our Post-Heaven state is our postnatal being, necessarily sullied by impure air, foods and disturbances of the mind.

Yang Sheng practices look to restore us to our prenatal state of health and purity. And Baguazhang itself places importance on its health-giving benefits as much as it’s martial elements. By practising Baguazhang we can experientially understand the process of change within the body.

Of course, Chinese Medicine also works by balancing Yin and Yang and restoring the body and mind to a place of unity and harmony. The eight trigrams can be integrated with five phase (Wu Xing) theory or used directly in Yi Jing styles of acupuncture by imaging the Ba Gua on to the body and balancing the trigrams.

This can be done contralaterally, which relates well to Baguazhang as many of its techniques, as well as its fundamental Hou Tien posture of San Ti Shi (three-body standing post), are contralateral too. Why? Because that is our natural walking gait, and it makes sense to move in natural ways as they have evolved over millennia to be the most efficient.

Baguazhang and Chinese Medicine share another common thread in their emphasis on the Yi. Yi is basically our intention, our precognitive awareness and understanding of a situation arrived at through a combination of practised skill, learning and intuition.

In the internal arts we talk about the six harmonies. Three are external: coordinating hand and foot, elbow and knee, and shoulder and hip. The other three are internal: mind-intent (Xin-Yi), intent-energy (Yi-Qi), and energy-power (Qi-Li). A clear intent leads our moving energy in martial arts, just as a clear intent guides the needle and exchange of energies in acupuncture.

Both the practitioner and, to some degree at least, the patient, need an intention directed clearly towards healing, being tuned into the needles and to their own internal landscape. The acupuncturist gives clear somatic instructions, and the patient’s body listens and receives those directives.

Yi is more than just impulse or intuition. It’s a holistic grasp of the reality at hand, undistorted by the emotions and lending awareness equally to subject, object and environment.

How do we purify the Yi, then? Through meditation. Through practising virtue. Perhaps even self-hypnosis or visualisation. Think of an athlete preparing for a race, systematically enacting their idiosyncratic rituals to clear their minds and focus on the task at hand. Entering a state of readiness.

Perhaps it’s fair to say that the Yi has a different quality, or at least carries more or less weight, in different disciplines. In Xingyiquan, Yi is literally central. In meditation, I would argue it’s less so. Whereas attention must be full and undistracted, intention is likely to raise the body’s energy and stir the mind, preventing it from absorbing into the body and sinking and settling into stillness. But some intent is still needed – some gentle nudge to simply sit.

But is this intention conscious? Or does it arise before conscious thought? Does thought simply justify, in hindsight, the movement from intention to action? Again, I suspect it depends on the discipline. A highly trained and experienced physician might be able to operate successfully on the level of instincts and intuition, although it’s crucial to recall that this innate seeing has been arrived at through decades of study and dedication. Most cannot operate at this level, and must employ various conscious models to reach a satisfactory conclusion about what is appropriate for the individual patient.

As an aside, I think it’s interesting that Chinese Medicine works using several models that readily coexist; sometimes supporting one another, and sometimes contradicting. Yin Yang theory, Five Phase theory, Eight Principles, Nine Palaces (used in pulse-taking), Ten Celestial Stems, Twelve Earthly Branches…

It’s only Western science that insists so irrationally upon finding The One Theory of Everything. Life is messy. What makes us so sure one theory can ever describe everything? Chinese Medicine’s organic, flexible approach of using whatever models fit the scenario best seems to me to be not so much inconsistent as aligned with the reality of Nature.

Returning to Yi, then – it describes our inherent ability to harmonise with a situation. An impetus of the heart to engage fully and properly with reality. It is our Earth aspect; the spiritual manifestation of a healthily functioning Spleen system. It leads to efficiency and efficacy. There’s a proverb from the Tai Chi Classics that, to paraphrase, says: when your opponent moves, you are already there. This, to my mind, is a description of a well-developed Yi – so tuned, refined and present that a changing situation can be grasped completely and instantaneously. As one of my TCM tutors succinctly put it, Yi is “the thought before the thought”.

So both Chinese Medicine and Baguazhang require a degree of stillness, openness and relaxation such that a clear and strong Yi can manifest. Meditation and Qi Gong practices can facilitate this peaceful state of being, and, in the case of Bagua, it is incorporated directly into the practice.

Circle walking is Qi Gong, from one perspective. And, like meditation, Qi Gong brings us out of our all-too-habitual fight or flight mode and engages our parasympathetic nervous system. In this mode of relaxation, everything flows smoothly and appropriately. Our organs and our whole being benefit because everything becomes tempered and functions optimally.

The reverse abdominal breathing technique common to both internal martial arts and Daoist meditation brings the breath deeper into the body and improves lung function, as well as having a tranquillising effect on the mind. It increases blood flow to the brain and heart, aids digestion and peristalsis, lowers blood pressure, and increases stamina, lung capacity and lung health. And it calms and soothes the frayed nerves of modern living. How many people carry around their stress in their shoulders and necks, and breathe with only the tops of their lungs?

I stated above that Yi can be trained by practising virtue (De). What I really meant by that is that virtuous conduct creates the conditions for a calm and healthy state of being. By living truthfully and uprightly we strengthen our immune and nervous systems, ameliorate our cognitive functions and reduce excessive stress, tension, anxiety and depression. (I say excessive stress because some small amount of stress is beneficial – a life without any pressure would soon become dull and fruitless.)

Wu Shu (the Chinese term for martial arts) literally means “stop fighting”. Japanese martial arts in particular place great importance on the cultivation of virtue in the fighter – we’ve all seen The Karate Kid! Aikido’s whole philosophy is based around non-violence. And in The Art of War, SunZi describes subduing the enemy without fighting as “the supreme excellence”. Fighting is ugly and should be avoided at all costs. There’s a parallel with Chinese Medicine here, too. We don’t isolate and directly combat pathogens, but seek rather to restore harmony.

The Yang Sheng approach is one of moderation. Good health lies at the state of equilibrium. We must move from balance all the time, of course, as exemplified by the never ending exchange of Yin and Yang, but we should always seek to return to it. Lu Buwei advocated moderate exercise, without over-straining, and the walking practice of Baguazhang fits this attitude perfectly. Its long, deep postures and constant movement are challenging and make for a comprehensive exercise, but they don’t push the body beyond what is healthy and comfortable. They don’t exhaust us and leave us depleted.

Walking itself has been shown to carry all kinds of benefits (most of which we intuitively know). Here are some: it benefits our mood, longevity, cardiovascular health, strength, mobility, flexibility, balance, fascial health, memory, immunity, sleep quality, bone density, overall life quality, emotional health and our tendency towards healthy choices. Walking is detoxifying, encourages enzyme and hormone production, lowers our risk of cancer, and helps with hypertension, cholesterol and cortisol levels, fatigue, pain, reliance on medication…

You get the idea!

Moreover, when we practice Baguazhang we’re not plugged into music or podcasts like we are at the gym. Our awareness is directed both outwards and inwards.

The various palms of Bagua have specific effects within the body, such as Downward Pressing Palm, which helps to open the Ren, Du and Chong Mai. Why do we want these channels open? Because blockages lead to ill-health, and open channels mean freely circulating Qi, strong, healthy organs and a body that has good internal communication between its parts. Openness leads to wholeness.

Certain palms can even be emphasised to help rectify particular imbalances. So Uphold the Heavens, for example, being linked to Yang Ming (Yang Brightness) and the Stomach and Large Intestine channels, can aid with digestive disorders. Here again, we see a fundamental link between Baguazhang and Chinese Medicine.

So Bagua is more than just a martial art. It is a health practice too, that blends seamlessly with Yang Sheng methods. It integrates Yin Yang theory and the wisdom of the Yi Jing. It gives us a deep understanding of change. It trains the Yi and calms the spirit. It unites body and mind. It trains our breathing, exercises the body, helps to engender a virtuous mindset, and goes deep inside to open up and mobilise the whole body from within. It is an internal art.

All that from going round in circles! Well, it figures, I guess. After all, “walking is man’s best medicine” (Hippocrates).